About WeirAnderson Films

WeirAnderson Films believes in the power of screen stories, but with that power comes the need to ensure stories are as diverse as the audiences that watch them. In particular, there is a need to ensure that women’s perspectives are well-represented on screen, so for us, that means a preference for supporting female storytellers. 

Feature film investments include I Used to Be Normal, Babyteeth, Miss Fisher & The Crypt of Tears, I Am Woman, How To Please A Woman, Blaze and Seriously Red.

Projects coming to market in 2026 are:

  • Boss Cat, the debut feature of writer/director Genevieve Clay-Smith, with Deanne as lead producer, with Bus Stop Films

  • Homebodies, an SBS Digital Original, from creator AP Pobjoy, premiering at Series Mania in France

  • Sweet Milk Lake, the debut feature of writer/director Harvey Zielinski, with Film Camp

  • Aftermath, a documentary film from Media Stockade and directors Jared Nicholson and Ben Lawrence

  • Addition, the debut feature film of director Marcelle Lunam, from producers Bruna Papandrea and Cristina Pozzan (a Storyd Group investment).

Projects in development or production include:

  • Crashout, the debut feature of writer / director Nick Annas, with Deadhouse Films

  • The First Dress, the debut feature of writer / director Melissa Anastasi, with Media Stockade

  • The Black Talons, from writer Maria Lewis, director Shari Sebbens, and producers Hunter Page-Lochard and Huna Amweero of Djali House

  • Devotion, the adaptation of Hanna Kent’s novel with producer Jess Carrera and Dollhouse Pictures

  • The Silent Listener, the adaptation of Lyn Yeowart’s novel

  • Offset, from writer Alana Valentine and producers Jungle Entertainment

 


Top banner photo: Julia Savage in Blaze (photo credit Causeway Films)